1.0 Preamble

[…] the output of machines does not create a new reality, but rather condenses virtual reality into mass. So the less unthought nature, the more we live in the assumption, in the model of this universe.

1.0.1 Aspects / Localization

Artists, as artificial persons, are in practice the construct of the interpretation imposed upon them; they bear the freedom of the interpreters. Artists, as actual persons, are subject to the agreement of generating mass, thereby succumbing to the present mechanics of arbitrariness; they “create” the “art,” which is considered property (in essence: peculiarity) of the socializing entities/society.

Since this results in a peculiar external unification of art and artists—becoming socially and thus marketable only as an actual entity (= interpretation derivative) as a union of form (mass) and content (interpretation)—art emerges as the property of the socializing entities/society. The mass, as the artistic byproduct of actual persons, is therefore nothing more than the result of the internal separation of art in order to be externally unified as art. Thus, art—including artists as artificial persons—becomes tradable both as a derivative of interpretation and as a monetary substitute construct for the freedom of the interpreters.

Based on Albert Pall, “modell,” Werkstadt Graz / 2000

With special thanks to: rhizom

Contributors: Sandra Ziagos, Heinz J. Schubert & et gfrerer